International context
Lida Sherafatmand’s work has appeared across multiple countries and public-facing contexts, linking the Florescencism movement to exhibitions, cultural institutes, and broader civic conversations.
Exhibitions
Exhibitions, Public Presence, and Curatorial Context
A dedicated route for visitors who want exhibition history, public context, and a fuller sense of how the work has appeared beyond the homepage summary.
Homepage
Exhibitions
Signals
Why this page matters
Exhibitions help position the work in public, museum, and curatorial contexts.
From the homepage
International Resonance in Art
With diplomatic resonance and humanitarian depth, Lida's art has been exhibited in over 20 countries, from International Art Fairs and Art Museums to the U.N and international conferences.
Venice Biennale, Italy
Flower Art Museum, The Netherlands
Tokyo International Art Fair, Japan
CAM Museum of Contemporary Art, Italy
Roerich Museum, Russia
London School of Economics, UK
Museum of Marrakech, Morocco
Palace of the President, Malta
Nigde National Museum, Turkey
How exhibitions support the work
This page is designed to complement the homepage by showing how the work lives in public space, curatorial framing, and dialogue with institutions.
Where to go next
After exhibitions context, most visitors continue into works, publications, or the dedicated page for curators and museums depending on their intent.
Continue through the site
Exhibitions usually lead visitors further into institutional context, press, the works, and then back to the homepage narrative.
Next step
Planning an exhibition or talk?
Use the institutional pages and contact route to discuss exhibition opportunities, talks, and curatorial framing.
Contact Lida